It’s now almost twenty years since those headlines, following Charles Davidson’s strange disappearance in 1965. As someone who knew him well, it was to my door that the media initially came. At the time, I told them nothing, but as I now start to feel my years, I realise I ought to set down these biographical observations.
Being crucified was nowhere near as painful as Sonny had always suspected it might be. True, whatever drugs his abductor had pumped into his veins were likely dulling the intensity of the experience somewhat, but watching the second stake being driven through his right hand, he felt no more than a peculiar ache as the bones split to make way for the iron.
My flat was small, top floor of a city tenement. What would otherwise be the living room became my studio, lit during the day by the industrial skyline through ill-fitting French windows which opened onto a tiny balcony. I slept in a box room just off the front door, and, when not painting, washing or cooking, spent the rest of my time in a white-walled annexe with only a sofa, laptop and bookcase. Such was my life. All else I’d left behind.