I know now why the idea of you always seemed like an afterthought written on the back of holy paper, scrunched, thrown into a mist and never retrieved. But maybe there is a version of you somewhere that was retrieved, maybe, below a rusting copper roof, the past and the future uncoil at your feet.
The man behind the desk had introduced himself as Albert Ryman the first time he and Haytham met, and Haytham hadn’t believed it for a second. He was tall and thin, with white hair and black glasses that framed his face. He always wore impeccable suits. But it was all a little too perfect: the hair too well-maintained, the jacket and shirt too complimentary, and the tie knot always impossibly symmetrical. His glasses weren’t crooked in the slightest. Everything about him seemed cultivated, right down to the pretence of humanity.
10.36pm. They’re not just late now; they’re Amy Winehouse late. The blips and wub-wubs of the Never Gonna Give You Up cover version are barely audible over the audience’s detached impatience and theatrical sighs. The song’s ironic. I think. I hope. The crowd, however, are being more vocal at this one moment than during the entirety of the support slots. I guess clapping is out again this season.