A new voice in digital publishing
Yesterday it rained from lunchtime. The whole of the previous fortnight, we’d been sweating in the mid-thirties and so we were dressed only in light clothes for the journey. The sky didn’t seem to take any enjoyment from its performance. By the time we got to the hotel, we were shrunken with cold.
The man behind the desk had introduced himself as Albert Ryman the first time he and Haytham met, and Haytham hadn’t believed it for a second. He was tall and thin, with white hair and black glasses that framed his face. He always wore impeccable suits. But it was all a little too perfect: the hair too well-maintained, the jacket and shirt too complimentary, and the tie knot always impossibly symmetrical. His glasses weren’t crooked in the slightest. Everything about him seemed cultivated, right down to the pretence of humanity.
10.36pm. They’re not just late now; they’re Amy Winehouse late. The blips and wub-wubs of the Never Gonna Give You Up cover version are barely audible over the audience’s detached impatience and theatrical sighs. The song’s ironic. I think. I hope. The crowd, however, are being more vocal at this one moment than during the entirety of the support slots. I guess clapping is out again this season.
He was the only child; they always listened and made sure he got everything he wanted. Sometimes life was too comfortable for his own liking, but it was a privilege and he enjoyed it. They sat in the parlour and listened to all his fears and dreams, before they burst into laughter. It was something they had never done before.
